Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Joseph Mallord William Turner 03

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
89750		Haus am Flub mit Baumen und Schafen	c. 1807(1807) Medium oil on canvas Dimensions 96,5 x 114 cm cjr
3220		Hero and Leander	National Gallery, London
34605		Houses of Parliament on Fire	mk94 1834
55060		Impression of number four	mk239 1911 Oil on canvas 95x107cm
55058		Impression of Number three	mk239 1911 Oil on canvas 77.5x100cm
55062		Improvisatori	mk239 1914 Oil on canvas 110x110cm
54899		In the house	mk238 1837 Oil on canvas 91x122cm
55177		In the red	mk239 1928 Watercolour 48.5x50.8cm
54873		Interior	mk238 1810 watercolour 64x49cm
54820		Interior Ruin	mk238 1796 Watercolour 21.4x27.4cm
54980		Island	mk238 1840 Watercolour 19.5x28.1cm
87575		Jetzt fur den Maler, Passagiere gehen an Bord	Date 1827(1827) Medium Oil on canvas Dimensions 170,2 x 235,5 cm cjr
54878		Jideka	mk238 1819 Watercolour 22.3x28.7cm
66587		Joseph Mallord William Turner, selfportrait.	Oil on canvas 1798 58 ?? 72,5 cm
55053		Judge	mk239 1910 Oil on canvas 125x73cm
3215		Keelman Heaving in Coals by Night	1835 36 1/4" x 48 1/4" The National Gallery of Art, Washington DC
55172		Keep in the mind	mk239 1927 Watercolour 48.3x32.3cm
55199		Keynote line	mk239 1936 129.4x194.2cm
54875		Lake	mk238 1819 Watercolour 22.4x29cm
54897		Lake	mk238 1832 Watercolour 13.9x19cm
54910		Lake	mk238 1828 oil on canvas 60.3x99.7cm
54916		Lake	mk238 1827 Watercolour 23.8x20.3cm
54919		Lake	mk238 1828 Watercolour 28.6x41.2cm
54963		Lake	mk238 1848-1850 Watercolour 36.9x54cm
54964		Lake	mk238 1846-1850 Watercolour 36.8x54cm
54984		Lake	mk238 1843 Watercolour 24.8x34.6cm
55014		Lake	mk239 1908 Oil on canvs 63x96cm
55051		Lake	mk239 Oil on canvas 98x103cm
54824		Landscape	mk238 1795-1796 30.4x43cm
54828		Landscape	mk238 1798 watercolour 28.9x41.6cm
54841		Landscape	mk238 1802-1805 watercolour 54.5x82.7cm
54842		Landscape	mk238 1802 Oil on canvas 90x119.5cm
54851		Landscape	mk238 1805 Oil on canvas 90.5x116.5cm
54853		Landscape	mk238 1806 Watercolour 27.5x37cm
54854		Landscape	mk238 1802
54858		Landscape	mk238 1812 Watercolour 13.9x21.9cm
54861		Landscape	mk238 1810 Oil on canvas 92x122cm
54881		Landscape	mk238 1819 waterclour 22.8x36.9cm
54917		Landscape	mk238 1828 Oil on canvas 60x92.5cm
54920		Landscape	mk238 1828 Oil on canvas 60.3x101.9cm
54947		Landscape	mk238 1840 Watercolour 24.4x36.8cm
54948		Landscape	mk238 1840 Oil on canvas 31.1x48.3cm
54952		Landscape	mk238 121.9x182.2cm
54986		Landscape	mk238 Oil on canvas 1844 Watercolour 22.8x32.8cm
54988		Landscape	mk238 1843-1845 Watercolour 24.2x29.6cm
54990		Landscape	mk238 1845 Watercolour 23.2x32.6cm
55035		Landscape	mk239 1912 Oil on canvas 77.8x100cm
55052		Landscape	mk239 1911 Oil on canvas 94.3x129cm
57303		Landscape	mk255 for in 1835. 0.94 x 1.24 meters canvas. Paris, the Louvre
55045		Landscape of church	mk239 1910 Oil on canvas 64.7x50.2cm
54887		Landscape of Deck	mk238 1827 Oil on canvas 30.5x48.5cm
54816		Landscape of Seashore	mk238 1792-1793 21.3x27.2cm
52519		Landscape with a River and a Bay in the Background	1835-40 Oil on canvas, 93 x 123 cm
20830		Landscape with Distant River and Bay (mk05)	Canvas 37 x 49''(94 x 124 cm)Acquired in 1967 R.F 1967-2(S/AR)
30695		Landscape with Juntion of the Severn and the Wye	mk68 Oil on canvas Paris,Louvre. c.1845 Britain
71442		Landschaft mit dem Garten des Hesperides	Medium Oil on canvas Dimensions 155 x 218.5 cm
55219		Last watercolour	mk239 1944 25.5x34.6cm
55173		Left	mk239 1927 Oil on canvas 41x33cm
89347		Leuchtraketen bei hohem Seegang	1840(1840) Medium oil on canvas Dimensions 91,5 x 122,7 cm cjr
55183		Level	mk239 1930 oil on canvas 35x49cm
66586		Licht und Farbe: Der Morgen nach der Sintflut: Moses schreibt das Buch der Genesis	1843 78,7 ?? 78,7 cm
54924		Lifeimosi	mk238 1829 oil on canvas 132.5x203cm
55184		Light	mk239 1931 Watercolour 34.2x34.8cm
54959		Light and colour	mk238 1843 Oil on canvas 78.5x78.5cm
24491		Light and colour-the morning after the Deluge-Moses writing the bood of Genesis (mk31)	1843 Oil on canvas 78.5x78.5cm
54933		Lighthouse	mk238 1832 Watercolour 14x19cm
26067		Lincoin from the Brayford (mk47)	1803-04 Watercolour adn bodycolour 660x1020mm Usher Gallery,Lincoinshire County Council
54821		Lincon church	mk238 1795 watetcolour 45x35cm
55187		Line	mk239 1931 48x25.9cm
54968		Lolusi	mk238 1830 Watercolour 61.6x82.5cm
54857		London	mk238 1809 Oil on canvas 90x120cm
89157		London from Greenwich Park	1809(1809) Medium Oil on canvas Dimensions Height: 902 cm (355.1 in). Width: 120 cm (47.2 in). cjr
55084		Love-s Garden	mk239 1912 Oil on canvas
54904		Lusigete	mk238 1824 Watercolour 16x23.2cm
55039		Macron	mk239 1910-1911 Oil on canvas 32.5x32.5cm
54846		Marine	mk238 1808 171.4x233.7cm
54817		Marine fetch the piglet from board	mk238 1792-1793 Oil on canvas 21.6x27.5cm
55029		Matter	mk239 1909 Oil on canvas 97x131cm
54973		Meeting	mk238 1839 Watercolour 24x30cm
54862		Meiyinsi	mk238 1817 Watercolour 21x34cm
55204		Mistiness	mk239 1939 Oil on canvas 100x81cm
54901		Moore Park	mk238 1823 Watercolour 15.8x22.1cm
88165		Morgen in den Corniston Fells, Cumberland	1799(1799) Medium Oil on canvas Dimensions 123 x 89,7 cm cjr
3216		Mortlake Terrace	1826 36 1/4" x 48 1/8" The National Gallery of Art, Washington DC
88994		Mortlake Terrace, der Wohnsitz von W. Sliam Moffat, Sommerarbend	1827(1827) Medium oil on canvas Dimensions 92 x 122 cm cjr
31836		Mortlake terrace:early summer morning	mk76 Painted in 1826 Oil on canvas 36 5/8x48 1/2in
55108		Moscow	mk239 1916 Oil on canvas 36x36cm
54845		Mountain	mk238 1803 91.5x122cm
54847		Mountain	mk238 1802 watercolour 32x47.5cm
54914		Mountain	mk238 1831-1832 Watercolour 11.5x13.9cm
54982		Mountain	mk238 1841 Watercolour 22.8x29.6cm
54983		Mountain	mk238 1841 22.8x33.2cm
54985		Mountain	mk238 1841 Watercolour 24.9x37.4cm
55012		Mountain	mk239 1908-1909 Oil on canvas 106x96.9cm
55022		Mountain	mk239 1909 Oil on canvas
55072		Mountain	mk239 1911-1912 Watercolour
55201		movement	mk239 1937 116x89cm
3241		Music Party	1835 Tate Gallery, London
24477		Music party in Petworth (mk31)	1835 Oil on canvas 121x90.5cm
89712		Musikgesellschaft, Petworth	c. 1835 Medium oil on canvas cjr

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Joseph Mallord William Turner

English Romantic Painter, 1775-1851 Joseph Mallord William Turner (23 April 1775 ?C 19 December 1851) was an English Romantic landscape painter, watercolourist and printmaker, whose style is said to have laid the foundation for Impressionism. Although Turner was considered a controversial figure in his day, he is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Turner's talent was recognised early in his life. Financial independence allowed Turner to innovate freely; his mature work is characterised by a chromatic palette and broadly applied atmospheric washes of paint. According to David Piper's The Illustrated History of Art, his later pictures were called "fantastic puzzles." However, Turner was still recognised as an artistic genius: the influential English art critic John Ruskin described Turner as the artist who could most "stirringly and truthfully measure the moods of Nature." (Piper 321) Suitable vehicles for Turner's imagination were to be found in the subjects of shipwrecks, fires (such as the burning of Parliament in 1834, an event which Turner rushed to witness first-hand, and which he transcribed in a series of watercolour sketches), natural catastrophes, and natural phenomena such as sunlight, storm, rain, and fog. He was fascinated by the violent power of the sea, as seen in Dawn after the Wreck (1840) and The Slave Ship (1840). Turner placed human beings in many of his paintings to indicate his affection for humanity on the one hand (note the frequent scenes of people drinking and merry-making or working in the foreground), but its vulnerability and vulgarity amid the 'sublime' nature of the world on the other hand. 'Sublime' here means awe-inspiring, savage grandeur, a natural world unmastered by man, evidence of the power of God - a theme that artists and poets were exploring in this period. The significance of light was to Turner the emanation of God's spirit and this was why he refined the subject matter of his later paintings by leaving out solid objects and detail, concentrating on the play of light on water, the radiance of skies and fires. Although these late paintings appear to be 'impressionistic' and therefore a forerunner of the French school, Turner was striving for expression of spirituality in the world, rather than responding primarily to optical phenomena. Rain, Steam and Speed - The Great Western Railway painted (1844).His early works, such as Tintern Abbey (1795), stayed true to the traditions of English landscape. However, in Hannibal Crossing the Alps (1812), an emphasis on the destructive power of nature had already come into play. His distinctive style of painting, in which he used watercolour technique with oil paints, created lightness, fluency, and ephemeral atmospheric effects. (Piper 321) One popular story about Turner, though it likely has little basis in reality, states that he even had himself "tied to the mast of a ship in order to experience the drama" of the elements during a storm at sea. In his later years he used oils ever more transparently, and turned to an evocation of almost pure light by use of shimmering colour. A prime example of his mature style can be seen in Rain, Steam and Speed - The Great Western Railway, where the objects are barely recognizable. The intensity of hue and interest in evanescent light not only placed Turner's work in the vanguard of English painting, but later exerted an influence upon art in France, as well; the Impressionists, particularly Claude Monet, carefully studied his techniques.

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